Brass
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Applicants will be notified if they advance to the audition round to perform on campus. Applicants invited to audition will be considered for scholarships and graduate assistantships.
Euphonium
- Two contrasting solo selections (with or without piano accompaniment).
- Two excerpts from standard orchestra, band and/or jazz repertoire.
- Three contrasting solo works showcasing your abilities.
- Selections can include separate movements from a multi-movement work or different compositions.
- Études may substitute one solo if preferred
- Four excerpts of your choice from standard orchestra, band, or jazz repertoire.
- Possible sight-reading.
- The length of the live audition is approximately 20 minutes.
For questions regarding specific audition repertoire, contact:
Clay Garrett
French Horn
- Play one solo comparable in difficulty to:
- Hindemith- Sonata for Horn
- Strauss- Concerto No. 2
- Dukas- Villanelle
- Play one étude comparable in difficulty to etudes found in any of the following étude
books:
- Gallay
- Kling
- Maxime-Alphonse
- Bitsch
- Chaynes
- Neuling
- Play three orchestral excerpts from the following list:
- Beethoven – Symphony No. 7 (1st movement, mm. 84-101, horn 1 OR horn 2)
- Brahms – Symphony No. 3 (3rd movement, horn 1)
- Strauss – Till Eulenspiegel (opening call)
- Shostakovich – Symphony No. 5 (low tutti)
- Tchaikovsky – Symphony No. 5 (2nd movement, horn 1)
- Wagner – Gotterdammerung (Siegfried’s Rhine Journey, short call)
- Play all major scales and selections from the three forms of all minor scales. All scales must be played from memory.
For questions regarding specific audition repertoire, contact:
Jon W. Burgess
Trombone
Bass Trombone
- Play one étude comparable in difficulty to:
- Naulais: 18 études pour trombone basse Contemporary
- Rochut: Volume I (#49-60 played 8vb)
- Maenz: Zwanzig Studien fur Bassposaune
- Play one solo comparable in difficulty to:
- Bozza – New Orleans
- Lebedev – Concerto in One
- Sachse – Konzert (ed. Arno Hermann)
- Koetsier – Allegro Maestoso
- Play five orchestral excerpts comparable in difficulty to:
- Haydn: Achieved is the Glorious Work from The Creation
- Berlioz: Hungarian March
- Schumann: Symphony No. 3, “Rhenish”
- Rossini: William Tell Overture
- Wagner: Entry of the Gods into Valhalla from Das Rheingold
Tenor Trombone
- Play one étude comparable in difficulty to:
- Rochut: Book I, #55- 60
- Bitsch: 15 Etudes de Rythme, Etude #3
- Boutry: 12 Etudes de haut Perfectionnement, Etudes #7
- Play one solo comparable in difficulty to:
- Grondahl – Concerto
- Larsson – Concertino
- Sulek – Sonata vox Gabriel
- David – Concertino
- Play five orchestral excerpts comparable in difficulty to:
- Mozart: Tuba Mirum from Requiem
- Berlioz: Hungarian March (2nd trombone part)
- Rossini: La Gazza Ladra Overture
- Wagner: Ride of the Valkyries
- Ravel: Bolero
- Students with skills in jazz improvisation and/or ballad playing are encouraged to showcase their talents.
For questions regarding specific audition repertoire, contact:
Clay Garrett
Trumpet
- Two solo works from contrasting style periods.
- Orchestra excerpts to demonstrate knowledge of standard orchestral literature.
- One etude from Charlier or etude of comparable level.
- Students are encouraged to demonstrate abilities on other trumpets – C, E-flat or piccolo trumpets.
- If a student has other performance skills such as jazz improvisation and/or lead playing, he/she is encouraged to demonstrate these talents also.
For questions regarding specific audition repertoire, contact:
Heather Test
Tuba
- Two contrasting solo selections (with or without piano accompaniment).
- Two excerpts from standard orchestra, band and/or jazz repertoire.
- Three contrasting solo works showcasing your abilities.
- Selections can include separate movements from a multi-movement work or different compositions.
- Études may substitute one solo if preferred
- Four excerpts of your choice from standard orchestra, band, or jazz repertoire.
- Possible sight-reading.
- The length of the live audition is approximately 20 minutes.
For questions regarding specific audition repertoire, contact:
Clay Garrett
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