Ayvaunn Penn

Instructor
Theatre
Walsh Performing Arts 220G

m.fields@tcu.edu | 817-257-4806

Education

MFA, Playwriting, Columbia University (2018)
MA, Speech-Theatre (Emphasis in Acting & Playwriting), Louisiana Tech University (2015)
Certificate, Method Acting, Jubilee Theatre (2012)
BA, English, Austin College (2012)

Courses Taught

THEA 11003: Survey of Theatre
THEA 11023: Diverse Voices in Theatre
THEA 11303: Acting I
THEA 41103: 20th Century Theatre History

Ayvaunn Penn (Columbia University Playwriting Dean’s Fellow, Eugene O’Neill National Playwrights Conference 2020 Finalist) is a playwright-director and lyricist-composer passionate about theatre for social change and nurturing future generations of theatre artists. Her latest work, For Bo: A Play Inspired by the Murder of Botham Jean by Officer Amber Guyger, has garnered national honor as a 2020 finalist for the prestigious Eugene O’Neill National Playwrights Conference. Prior to the O’Neill, For Bo received its first public staged reading at Texas Christian University where it was performed by Theatre TCU students, directed by Penn, and embraced by the same Dallas-Fort Worth news media that reported on Jean’s tragic murder in his Dallas apartment. Penn is also the founder of The #ForBo Initiative. The latter has initiated readings and community discussions of For Bo at other arts and college institutions in Texas and out of state with the following mission: using art to keep the memory of Botham Jean alive while also addressing issues of racial bias, injustice, and police brutality against African Americans. For Bo is scheduled to be fully produced by Theatre TCU in the spring of 2021.

Some of Penn’s other theatre credits include: directing her piece The Feather Doesn’t Fall Far from the Wing: A Play with Music featured at the Tony Award-winning Signature Theatre; directing “March by June” by Juan Ramirez, Jr. in the Reset Theatre Coalition play festival hosted by Conch Shell Productions, Braata Productions, and Kumu Kahua Theatre; assistant directing the world premiere of Chasing Alice by Tom Parr IV at KD Conservatory College of Film and Dramatic Arts; serving as assistant director to two-time Tony Award-winner Ruben Santiago-Hudson on Their Eyes Were Watching God at the Billie Holiday Theatre; and serving as assistant director to Golden Globe-winner Regina Taylor on stop.reset. at the Tony Award-winning Goodman Theatre.

Before joining the Texas Christian University Theatre Department where she designed the department’s DEI course entitled Diverse Voices in Theatre, Ayvaunn taught as a guest playwriting instructor at Booker T. Washington High School for the Performing and Visual Arts. She has also served as a playwriting instructor for Stage West Theatre and remains a theatre instructor with Junior Players. Merging her English and Theatre degrees to create fun, educational online summer courses, Penn independently teaches Mastering Grammar Through Storytelling for elementary students and Mastering Grammar Through Script Writing for middle school students.

Lastly, with the mission of getting more of the African-American community passionate about theatre, Ayvaunn founded the media platform Black and Making It (BAM-iT!) to celebrate black excellence in the performing arts. Making it on the Broadway and Off-Broadway press circuit, BAM-iT! has featured interviews with theatre artists such as but not limited to: Tony Award-winning producer Ron Simons;  two-time Pulitzer Prize-winning playwright Lynn Nottage; Berry Gordy and the cast of Motown the Musical; and the cast of the Tony Award-winning revival of Jitney.

  • Eugene O’Neill National Playwrights Conference 2020 Finalist
  • Stage Directors & Choreographers Foundation, Observership Class of 2017-2018
  • Columbia University Dean’s Fellowship Recipient, MFA Playwriting Class of 2018
  • Alpha Psi Omega (APO) National Theatre Honor Society, Member
  • Louisiana Tech University Honors
    • “Tech Tony Award” Honoree 2015
      • Lula Mae Sciro Award for Theatre Excellence
      • Arthur W. Stone Award for Playwriting
    • 1st Place Winner in Graduate Research Symposium
      • Presentation on Shakespeare’s use of metre to define characters’ nature and relationships
    • APO Featured Playwright 2014
      • “Slain Gall” selected for summer production
    • APO Festival of New Works 2014
      • Best Play for “The Feather Doesn’t Fall Far from the Wing”

Present and Future

  • Traditional and contemporary theatre practices as a method of studying scripture, enhancing retention of scripture, and enriching the worship experience.

Playwright & Director in Research at Broadway Dance Center

  • How movement and different forms of dance communicate story and emotion

 

Dramatists Guild of America, Member